Criticism makes us stronger. We hired three writers to review each work at WaveForms. Circle back to our website soon to read their reviews.
Chenoa Baker
Chenoa Baker
Chenoa Baker (she/her) is a curator, wordsmith, and descendant of self-emancipators. Art spaces as incubators for intergroup dialogue and imaginative portals were her foray into curatorial work. In addition to leading the exhibition program as the Associate Curator at Beacon Gallery, she worked on: Gio Swaby: Fresh Up at the Peabody Essex Museum; Simone Leigh at ICA/Boston; Simone Leigh: Sovereignty at the 59th La Biennale di Venezia; and Touching Roots: Black Ancestral Legacies in the Americas at MFA/Boston. Her autobiographical-style art criticism appears in Public Parking, Material Intelligence, Studio Potter, Boston Art Review, Sixty Inches From Center, Burnaway, and a monograph contribution for Helena Metaferia: Generations, Art For This Moment.
LAUREN LEVATO COYNE
LAUREN LEVATO COYNE
Lauren Levato Coyne (she/they) is a transdisciplinary artist and writer. Her works have received numerous awards, including the 2022 Toni Beauchamp Prize in Critical Arts Writing, awarded by Legacy Russell and Gulf Coast Journal. Her writing appears or is forthcoming in Antennae Journal, The Berkshire Eagle, International Sculpture Magazine, Gulf Coast Journal, HEY! Magazine (Paris), and others.
LEAH DAVIS
LEAH DAVIS
Leah Davis (she/they) is a Senior Editor at No Proscenium, the arts and entertainment magazine that specializes in all things immersive. Leah covers LARP, virtual reality, installation art, and immersive theatre with the enthusiasm of a fan and the expertise of a critic. Her writing is informed by a background in Virtual Reality and Psychology, advanced degrees in Graphic Design (MFA) and Social Innovation (MBA), and a career spent in public radio. You can join Leah on her quest to uncover the awe-inspiring world of immersive arts at noproscenium.com.